File Prep 101: How to ‘Color Break’

This blog series , File Prep 101, is expressly written for people who oversee print-related projects but who may not have a formal education in graphic design.  This blog series is intended to demystify design lingo and illuminate the pre-production steps in the print industry.  Read on and you’ll start to get the print results you want more efficiently!

Color break refers to how the elements on a page should print, and is  one of the most important communication tools between the designer and printer.  By color breaking each photograph, graphic and line of type, the designer clearly indicates to the printer what the final printed piece should look like.  The printer uses the color break to establish the expectations of the designer and to confirm that the job has been set up to print as it was estimated.

Photographs are almost always color broken as CMYK (cyan, magenta, yellow and key, which is black).  Your printer will more than likely refer to CMYK as “four color process” and abbreviate it as “4C process”.  The combination of two, three or four of the process colors in varying percentages can create almost any color, from flesh tones to sky blue to leafy green.  Alternatively, logos and graphics can be color broken to print in 4C process or in PMS (Pantone Matching System®) colors.  (PMS colors are also referred to as “spot” and “flat” colors.)  PMS colors print as one color, not as a combination of two, three or four colors like 4C process.  Headline type is very commonly color broken as a PMS color.

Follow these three steps to ensure that your print production file is color broken correctly before releasing it to your print professional:

  1. Make sure the number of colors in the file matches the number of colors you were quoted.  If the job was estimated as a one color job, make sure all of the elements on the page are set up to print the same color.  The color can be black or a PMS color, as long as all elements are the same.
  2. Double-check your logo.  If you’re preparing a one color job make sure you have the one color version of the logo in the file.
  3. Print out separations or plates to ensure that the color break is correct.  If the file has been set up correctly, you’ll be printing one sheet of paper for each color that’s in the file.  If you’re preparing a one color job but three pages print, you’ll know right away that corrections need to be made.

These three tips will help ensure that your file is color broken correctly and will communicate your exact wishes to the printer.  Having a printer understand exactly what you want the first time around will make your job easier.  And you’ll be that much happier with the final result.

About Bob Makofsky

Bob runs operations and marketing and is Conformer’s resident postal expert. Bob has over a dozen years of entrepreneurial experience in the technology industry, in both marketing and business development roles ranging from negotiating $100 million-plus contracts nationally and abroad to developing marketing campaigns. He is regularly featured in print and packaging trade magazines on innovation. Bob is a competitive cyclist and longtime member of the Century Road Club Association in Central Park, competing in the Empire State Games (2007, 2008). Bob graduated from the University of Denver.
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